Nobunny - Live at Third Man Records (Third Man Records, 2010)

What a curious thing is Music. Someone appears in your life coming out of the blue, nothing too original—as evokes a lot of different bands, but at the same time, with a distinct and unique sound. You inevitable get hooked on that sound, the guy becomes one of your favorites and you get crazy looking for his albums. Well, that guy is Nobunny, alias Justin Champlin. The first record I listened to was First Blood (2010); it was put in my hands by a record store owner—one of those guys which musical criteria you can trust blindly, and from the first time I played, I realized that I was in front of something fuckin’ great. Since then I've been looking for every single work he has released. My last acquisition was this Live at Third Man Records (2010), from the Live at Third Man series, recorded at Jack White's studios in Nashville, TN. It will bring to your ears this rock and roll, bubblegum punk, garage and lo-fi mixture which might remind you to millions of bands, but, to me is just Nobunny. And no one else.

Desechables - Buen ser-vicio (1985) (Munster Records reissue, 2002)

They were called the Spanish Cramps, but they did succeed first nor in Spain, but on the other side of the border: in France, after they played at Rock de Lyon in 1983. Definitively, the Barcelona-based band Desechables wasn't the typical Spanish band. After their first 7", the guitar player Miguel died trying to hold up a jewelry store carrying a fake gun. Bad luck; the owner had a real one. Desechables disbanded, but the success of Golpe tras Golpe (1984) —a kind of posthumous LP made of live recordings— encouraged the band mates to look for a new axeman. The good feelings with, nor just one, but two new guitar players led the band to record their second album in concert, again, during a show at Rock-Ola —a mythical concert place located in Madrid. Buen ser-vicio (1985) was born, with a killer cover, by the way: a photo of Tere Desechable herself, who by then was eighteen years old, in a lustful pose serving us her own tits on a plate. The sound of the record is not the best in the world (hey, this is Spain in the early eighties), but we don't want a clearly, vivid sound. This is Cramps-like shit, and what we want is dirty and raw sound.

Black Lips - Party at Rob's House (Rob's House Records, 2006)

Before they signed with the super-terrific-cool-Vice Records label and started to succeed, Black Lips had left us the 7" vinyl Party at Rob's House EP (2.006). One more for the count of live records we can found along the band's discography —their first release on Vice was precisely a live record: Los valientes del mundo nuevo (2.007). The sound is noisy, fuzzy and scrappy, and that's one of the main reasons I love them. It is remarkable that Party at Rob's House contains the first recorded version of their future hit "Oh Katrina!", plus a crazy cover of Link Wray's "Five & Ten" and "Sea of Blasphemy", hit that opened their third (and best) record: Let It Bloom (2.005).